Studying One’s Own Work for Imperfections

Garry Kasparov, the chess grand master, obsessively studied his past matches, looking for the slightest imperfection, but when it came time to play a chess game, he said he played by instinct, “by smell, by feel.” After Herb Stein finishes shooting a soap opera episode, he immediately goes home and reviews the rough cut. “I watch the whole thing,” Stein says, “and I just take notes. I’m looking really hard for my mistakes. I pretty much always want to find thirty mistakes, thirty things that I could have done better. If I can’t find thirty, then I’m not looking hard enough.” These mistakes are usually little things, so minor that nobody else would notice. But Stein knows that the only way to get it right the next time is to study what he got wrong this time. Tom Brady spends hours watching game tape every week, critically looking at each of his passing decisions, but when he’s standing in the pocket he knows that he can’t hesitate before making a throw. It’s not an accident that all of these experts have converged on such a similar method. They have figured out how to take advantage of their mental machinery, to steal as much wisdom as possible from their inevitable errors.

From Jonah Lehrer’s How We Decide.

Ben Franklin Didn’t Like the Choice of Bald Eagle

As a Franklin devotee, I kind of loved this anecdote. Fight on, Ben!

In 1782, after years of argument and indecision, Congress concluded that the bald eagle would make an appropriate symbol of national power and authority, and so it was decided that the bird, depicted with its wings outspread, its talons grasping an olive branch, etcetera, should be adopted as the emblem for the great seal of the United States….Not everybody agreed with the decision… Benjamin Franklin thought the turkey a better choice and considered the bald eagle—a plunderer and a scavenger of dead fish rather than a hunter, and timid if mobbed by much smaller birds—an animal of bad moral character and in fact a coward.

(From Netherland by Joseph O’Neill.)

Quiet Celebrations

Think of “celebration” and, if you’re like me, you think of athletes celebrating a win on the field. You think of a soccer team winning the Olympic gold medal and rushing the field, hugging, screaming…unabashed ecstasy.

But not all celebration involves such a spirited display. In fact, more often in life, a person’s reaction to amazing news is more subdued.

Consider this scene from the movie Pursuit of Happyness. Will Smith’s character is told by the firm he’s interning at that he has a full-time job as a broker. After much struggle, landing the job is quite an achievement. His response to the news? Stoic. Steady. Wet eyes.

Another example actually does come from the world of sports, but in the locker room, not on the field. Brandon Belt, a player on the San Francisco Giants, being told in spring training he had made the big league club. It’s in the first few minutes of this clip (embedded below). Rather than break out into cheering, Belt is quiet, and starts lightly crying. Why does he cry quietly here, but rush the field after his team win a game? Is it just the social / group dynamic?

Barbara Ehrenreich wrote a book intriguingly titled Dancing In the Streets: A History of Collective Joy. I haven’t read it because I generally don’t like Ehrenreich, but a paragraph review of the book seems apropos:

It is a truism that everyone seeks happiness, but public manifestations of it have not always been free of recrimination. Colonial regimes have defined spectacles as an inherently “primitive” act and elders harrumph at youthful exultation. Social critic and bestselling author Ehrenreich (Nickel and Dimed) teases out the many incarnations of sanctioned public revelry, starting with the protofeminist oreibasia, or Dionysian winter dance, in antiquity, and from there covering trance, ancient mystery cults and carnival, right up to the rock and roll and sports-related mass celebrations of our own day. “Why is so little left” of such rituals, she asks, bemoaning the “loss of ecstatic pleasure.” Ehrenreich necessarily delineates the repressive reactions to such ecstasy by the forces of so-called “civilization,” reasonably positing that rituals of joy are nearly as innate as the quest for food and shelter. Complicating Ehrenreich’s schema is her own politicized judgment, dismissing what she sees as the debased celebrations of sporting events while writing approvingly of the 1960s “happenings” of her own youth and the inevitable street theater that accompanies any modern mass protest, yet all but ignoring the Burning Man festival in Nevada and tut-tutting ravers’ reliance on artificial ecstasy. That aside, Ehrenreich writes with grace and clarity in a fascinating, wide-ranging and generous account.

What Questions Are You Thinking About?

I like Robin Hanson’s advice to frame a conversation this way — it can be a telling litmus test:

I know many folks who consider themselves intellectuals. I guess they think that in part because if you asked them “What have you been up to lately?,” they’d tell you about books, articles, blogs, or twitter feeds that they’ve been reading. Or perhaps TED talks they’ve watched. This is why I prefer the question “What have you been thinking about lately?” And I’ll usually be a bit disappointed if the answer isn’t about a question they’ve been trying to answer.

Yes perhaps if they just mention a topic, that really stands for some questions about that topic. But often people thinking about a topic are mostly trying to find more supporting evidence for things they already believe. Less often are they taking what I consider the most productive intellectual strategy: focus on an important question where you don’t know the answer.

Once you start to think about a question, you’ll probably soon start to break it down into supporting sub-questions. Instead of asking “How can we get world peace?” you might ask “What most goes wrong when the United Nations intervenes?” or “Why do citizens on the losing sides of wars support them?” And hearing about your interesting sub-questions might just make my day. That is why I, like the Harvard admissions dean above, will be especially eager to hear that you’ve been thinking about interesting questions.

We Flit About Joyfully in the Light

Imagine a vast hall in Anglo-Saxon England, not long after the passing of King Arthur. It is the dead of winter and a fierce snowstorm rages outside, but a great fire fills the space within the hall with warmth and light. Now and then, a sparrow darts in for refuge from the weather. It appears as if from nowhere, flits about joyfully in the light, and then disappears again, and where it comes from and where it goes next in that stormy darkness, we do not know.

Our lives are like that.

Those are the opening words of the introduction to The Upanishads as translated and collected by Eknath Easwaran, a classic of Indian / Hindu spiritually.

From where we came and to where we go afterwards — who knows — but for minuscule amount of time that we’re alive, we are like the sparrow that emerges and follows the light, darts around playfully, and then before long returns to the vast darkness outside, never to be seen again. I like this image.