Book Review: Lasso the Wind by Tim Egan

West2blog
Lasso the Wind: Away to the New West by Timothy Egan is a wonderful book and I highly recommend it to anyone who lives in the West or is generally intrigued by the ideas behind places. Egan, a Pulitzer Prize winning journalist for the New York Times, deftly combines original reporting with personal reflection. He conveys his awe at the natural beauty of the West without resorting to clichéd superlatives. He also expertly discusses some of the inherent tensions of the land — like how America came to own it or how desert earth stays so green and wet (ie, water rights).

I’ve lived in the West my whole life. Growing up in California, my school outdoor ed excursions included camping stays in Yosemite National Park, Pinnacles National Monument, Sequoia National Park, and the Marin Headlands. Friends and I fished near the American river in Sacramento. Family vacations growing up tended to involve getting in a car and driving to big sky country. We camped and visited Rocky Mountain National Park, Zion National Parks, Lassen Volcanic National Park, Death Valley National Park, Lava Beds National Monument, and others. We stayed with my aunt in Albuquerque, and I remember being pleasantly startled at the brown and red New Mexico heat. To grow up in a Western city is to have access to good urban living — and the hustle bustle and pulse that cities imply — but also to be in close proximity to nature. A two-for-one that, if properly utilized, will turn every young bud into a conservationist.

My interest in the outdoors continued into my late teens. Last year, while living in Colorado, I befriended the Rockies and the wide plains which greet you immediately after leaving Denver airport. And during my 5,000 mile road trip in April, I stayed at Grand Canyon National Park in Arizona which literally took my breath away. I spent many days driving across vast expanses of open space in Nevada, Utah, Wyoming, Montana, and elsewhere. I remember one road trip day in particular where I was on a conference call and got so wrapped up in the call that I missed my turn and ended up deep within a tall enclave of Utah canyons. I lost cell reception and no other cars were near me. I pulled off to the side of the road ostensibly to find a map, but more to just pause and gape at the power of the red clay that surrounded me left, right, up, and down.

It’s not just the physical features which have a hold on my imagination — but the psychological aspects, too. The idea of the West. The idea that it’s out here where you can unbutton the top button and explore a bit. Find your own square of land. Reinvent yourself. Find forward-thinking, open-minded people. Create your own fortune. Cut ties. Be happy. Fail. Move.

Egan explores these emotions and the places responsible for them. It’s a great read. Below are some sentences from the book which caught my attention, either for their point or for the writing. (Photo credit for above photo)


  • Snow muffled the Teton Range, forcing elk down into the valley and a sudden intimacy on all of us.
  • Wilderness can cleanse the toxins from a tarred soul, but it takes several days, at least, for the antidote to work.
  • A person puts on a cowboy hat anywhere in the world, even if alone in a room, and starts acting differently — sometimes stupidly, sometimes nobly, but it is a new personality.
  • In Jackson Hole, $5-million residences were being built on spec, and anything under a million was considered a starter castle. The terraces above the valley were stuffed with log mansions, some with a dozen fieldstone fireplaces. A home with twelve hearths is a home without a heart, deeply confused.
  • Statues are scarce in the West, for good reason: sometimes, it takes longer for concrete to dry than it does for today’s consensus to become tomorrow’s historical heresy. It may be easier to lasso the wind than to find a sustaining story for the American West. Still, as storytellers it is our obligation to keep trying.
  • We both come from a part of the West where green is the dominant color and chlorophyll is an uncontrolled substance. In the Wet West, that strip from the Pacific shore to the Cascade Mountain crest, no square inch of soot in a sidewalk crack or roof is safe from invasion of some fast-growing transplant. After settling down in New Mexico, Frank needed several years to get over “brownshock,” as he called it. I walk around as if in a planetarium, head spinning. The rusted tablelands, the baldness of the land, the mesas of potato-skin color. The wind announces itself in advance. My skin, used to the daily facial of Northwest drizzle, feels as if it’s been next to a radiator.
  • Ted Turner owns more than a thousand square miles of New Mexico — 1.5% of the state.
  • The way to counter the Western malaise of drift and rootlessness, says the poet Gary Snyder, is to find your place, dig in, and defend it.
  • The West has the lowest rate of church participation of any region in the country.
  • New Mexico has most of the strands of the modern West, with a heavy Spanish and Pueblo texture. Its cities are full of urban exiles looking to the glow of nearby mountains to put an extra dimension in their lives. People run up and down mesas, trying to squeeze meaning from the land. New Agers come and go, sampling the rarified air but never letting it get into their bones.
  • [The Colorado river] flows one way, to the west, in a canal that pumps excessive expectations into Southern California.
  • The axiom that water flows uphill to money became the guiding principle of the West.
  • Tucson has learned to live in the desert without the massive water diversions. Cacti, brittlebush, aloe, and other native plants were used for landscaping, and the city slowed down, looked at what it was doing to the desert and mountains on which its glow of life depended.
  • “If you want to make money in a casino, own one.” – Steve Wynn
  • Patricia Mulroy is head of the Southern Nevada Water Authority. She can move rivers, keep cities alive, make other states tremble, destroy farms, eliminate entire species.
  • Sitting around a campfire at night, naked to the outdoors, was for Twain, “the very summit and culmination of earthly luxury.”
  • Utah is American life lite, without cynicism or corruption, producing more babies per capita and healthier adults than any other state. Smoke-free and nonalcoholic were part of the Mormon canon long before they became the stuff of presidential initiatives.
  • The more you stir a manure pile, the more it stinks.
  • There is no institutional memory in the West, only dawn.
  • Cowboys of the open range knew full well what I learned that summer: the job sucks….How it became one of the most romantic, glorified, and iconic roles in America will have to remain a mystery, and a prime debating point at those fractious conferences between New West and Old West historians.
  • “In my book a pioneer is a man who turned all the grass upside down, strung bob-wire over the dust that was left, poisoned the water, cut down the trees, killed the Indian who owned the land, and called it progress.” – Charley Russell, cowboy artist
  • I feel about Montana now the way you feel about good friends at the end of a lengthy dinner.
  • Kelly cooks like he fishes: eyes on the prize, always aware of his next move, the picture of self-confidence.
  • Salsa is the number one condiment in America. Salsa is bigger than ketchup.
  • Not two days ago the water around me was in a north-facing cranny of the High Sierra, snowbound. And several days from now, the water will be spit out of a sprinkler in a desert cul-de-sac in Moreno Valley, in homes protected by lasers and armed response, a covenant-bound conclave where neighbors sue each other over oddly-placed basketball hoops.
  • There are more Koreans in California than any place outside of Seoul and more people of Mexican ancestry in Los Angeles than in any community other than Mexico City. The Golden State is seen by some as a tremulous new world where everyone is a minority. At Hollywood High School, eighty languages are spoken.

How Short Stories Can Suck (Tips on Writing)

The editors of the Willesden Herden posted an interesting list of 27 reasons why short stories can fail. They recently held a writing competition and didn’t select a winner; presumably all of them fell prey to at least one of these ailments. Required reading for anyone interested in writing. My favorites below, the bold is my own emphasis:

8. Throat-clearing openings. A build-up to the fact that we are about to hear a story, what it’s not about, what it is about, the fact that it starts here, the fact that it starts with something, the fact that it’s of a particular kind, the fact that you’re going to tell it. Cut, cut, cut. Then we come to the line where it really starts, but by then it’s too late: for something to get on a short list, it has to be virtually flawless and you’ve just started with a whopping great flaw.

18. Poor dialogue. Exposition of the story in dialogue is a common failing. “We must be very careful, as it is raining now and visibility is low.” “Yes, and it is cold. Ooh, look at the traffic there,” said Pinky. “Yes, there is a lot of it, isn’t there,” said Perky. “Look out! Elegant variation dead ahead”, muttered Pinky and exclaimed Perky simultaneously. Maybe you’ve heard somewhere that there has to be dialogue. What they didn’t add was, “not at any price.” If there is dialogue, it should be something that people really might say. Do not make your characters into ventriloquists dummies to tell your story through. There can be long passages without dialogue or there can be lots or a little dialogue. What there must not be is phoney dialogue. Another thing, if your characters are well enough defined, you should find that hardly any attribution is needed.

23. Faux jollity. Particularly faux jollity centred around pubs, and particularly around pubs in Ireland. Industrially extruded quantities of guff about distant histories in small town life. Standing jokes that should have been left where they toppled. Weird spastic prose as if the task of writing the story had been given by a writer with a good idea to the former class dunce, now barman. I think humour only ever exists in something that sets out to be serious. Anything that sets out to be humorous is doomed.

25. Clichéd. I’m thinking mostly of clichéd expressions. If I said I’m thinking "by and large" of clichéd expressions, that would be an example in itself. It’s usually little clumps of words that always seem to go together, but also whole concepts that go unquestioned. Cities are always bustling, sunsets always golden, looks always stern etc. The Irish poet Jean O’Brien said (in a workshop I attended) "Beware of the bits that seem to write themselves." In avoiding clichés it is the underlying assumptions that have to be dispelled. A "translated cliché" would still be a cliché.

26. Unspeakable. "Actors call some lines pills to swallow, for they cannot be made to sound genuine" is an example of this syndrome. Maybe it’s just me, but I find the use of the word "for" instead of "because" archaic and laboured. I tend to think that if I wouldn’t use the word in speech then I shouldn’t in writing. I wouldn’t say "I think it’s very cold today for the pond is frozen" so why write it? Anything that would sound laboured if read out has to go. You probably recognise the dismal effect when somebody says something and "it sounds like they’re reading it out". If I write: "The solution to this problem is to read everything aloud first" that in itself contains an example of the problem. If I read out that sentence, it sounds like I’m reading it out. Maybe it’s acceptable in an after-dinner speech, but it’s death to a story. It breaks the spell.

27. Pastiche. There can be cases where the whole story is a cliché, if you see what I mean, which is usually to say that it is derivative in the extreme. If it’s not a simple case of writing to a formula, this is more seriously a lack of a genuine "voice". What I usually say about pastiche is that I’m very impressed by people who can emulate other writers to a tee, because I find it difficult enough just to write like myself. Here’s a little story: When I was a kid I used to sing myself to sleep at night. One Sunday I went to see The Jolson Story (I think I saw parts 1 and 2) at the Casino cinema in Finglas and memorised some of the songs. That night I began to sing them in bed, and trying to sound like Al Jolson. Lying back in the dark, after a while I asked my Grandad, who slept on the other side of the room, if he liked my new voice. I’ll always remember his answer because it said so much. He said, "I prefer your own voice."

(Hat tip: Omnivoracious)

Rule of Thumb of the Day

From The Economist on the software industry:

An industry rule of thumb is that a bug which costs $1 to fix on the programmer’s desktop costs $100 to fix once it is incorporated into a build, and thousands of dollars if it is identified only after the software has been deployed in the field.

The larger idea about fixing things early in its lifecycle is interesting. Take hiring/firing. We almost always wait too long to fire someone. When was the last time you heard someone say, "I think I fired him too soon." The longer we wait to correct a screw-up, the more expensive the mistake becomes. Yet stubbornness or overvaluing sunk costs often keep us from acting as quickly as we should.

(Here’s my Rule of Thumb wiki.)

What Should You Focus On In a Clutch Moment?

From the world of sports psychology, this is an interesting breakdown of three different points of concentration golf putters had in mind during a clutch moment. Concentrating on a single "holistic cue word" like smooth proved most successful:

There are two common explanations for why some athletes perform poorly in the clutch: either the pressure distracts them, or it causes them to focus too intently on usually automatic actions. To test the competing theories, two researchers studied 20 experienced Australian golfers in a low-stakes contest and a high-stakes competition with monetary prizes. The participants played three 10-putt rounds, and they were given different instructions at the start of each: first, they were told to concentrate on three things that were irrelevant to the task; then to focus on three words that related to technical aspects of their swing, such as arms, weight, or acceleration; and finally to concentrate on a single “holistic cue word” describing their intended movement, such as smooth. In the high-pressure situation, participants did worse when thinking about words related to execution; overall, golfers in both situations did best while concentrating on the holistic cue. The authors speculate that focusing on a cue word prevents experts from trying to “consciously control their movements under pressure,” which suggests that overthinking, rather than distraction, may be the greater danger facing athletes in the clutch.

Clutch moments exist in business, and the sports idea of "muscle memory" transfers as well. When I was doing a lot of enterprise software sales calls I had a successful routine. When the stakes were unusually high, it was easy to over think how I delivered my pitch and try to change my routine. Bad approach. I learned this lesson in basketball, too. What successful athletes and CEOs figure out is how to channel heightened adrenaline in a productive way.

Source link is subscribers only; hat tip to Atlantic Monthly’s Primary Sources.

Should You Have a Resume?

Seth Godin, as he reviews applications for his college-student summer internship, says:

I think if you’re remarkable, amazing or just plain spectacular, you probably shouldn’t have a resume at all.

He goes on to comment on the dismal self-marketing skills of college students looking for a job. I agree with his larger idea here — anytime I look through resumes or try to hire someone, I’ve shocked at how poorly people present themselves.

But this doesn’t mean you should hang up the resume. Seth concludes with:

Great jobs, world class jobs, jobs people kill for… those jobs don’t get filled by people emailing in resumes. Ever.

Agreed, but how many college kids are looking for a world-class job, a job people kill for? Most students or recent grads are just looking for a job. Opening an interview with, "I don’t have a resume, because I’m an A+ kind of guy" isn’t going to work out too well.

Have a good resume, but also have a personal web site with a custom domain (seriously – do you have your own domain and web site?), have a blog, do something remarkable. Follow the rules and change the rules — at once.

So I agree that true all-stars don’t send out resumes to find a job. Those people work within a trusted network of contacts, and there’s a body of public information about their work that’s more useful than a resume can ever be. Yet most college students are not all-stars and shouldn’t, in their quest to be remarkable, just ignore all existing hiring conventions.