There needs to be a MacArthur Foundation that focuses on emerging talents. It should give no-strings-attached grants to emerging talents in the same way MacArthur does for established talents. The grants would be given regardless of type of talent, though it would emphasize those demonstrating extraordinary creative potential yet who do not have much money. (I support economic affirmative action at young levels; I do not support racial affirmative action.) The current MacArthur genius grants are terrific in that they're given to individuals instead of causes or projects, but oftentimes the people don't really need the money or recognition. This "Junior MacArthur" program would involve placing riskier bets on still unproven individuals who nevertheless display great potential and tremendous self-direction. Grantees would use the money however they see fit to make the world a better place.
The first grantee should be Colin Marshall. Colin is a talented artist. He is one of the clearest thinking writers on the web. He runs a successful radio interview program. He runs a site about podcasts. He writes columns. He writes essays. He writes blog posts. He makes films. He tweets prolifically. He's 25 years old.
But there's a problem: his work doesn't generate much money. It's always been hard to make a living as an artist or self-employed intellectual. Especially so when Colin, by his own admission, knows nothing about making money:
Kinda trippy that I've biologically persisted nearly to the age of 25 without any idea whatsoever of how to make enough money to buy a car, isn't it?…I react to the mechanics of moneymaking with the same befuddlement that many of these well-heeled vehicle owners do when they stare at the dark, occult forms under their hoods.
At present, Colin has to spend some portion of his day doing bullshit work:
…[W]hatever one could call my "creative daily routine" turns out to be highly variable, since I have to wedge it in around "regular work," that is to say, the stuff that pays me cash bucks but is not broadcasting/interviewing, writing/essayism, film/video or sound/music. (I'm not sure how much sense it makes to organize life this way at my age, but bear with me.)
He knows the bullshit work could, if he's not careful, become the real work:
I've seen more than a few people fall into this basic scenario: get some McJob or cultivate an unengaging "fallback" career to support whatever it is they "really" do; grow dependent on the entity providing said McJob/fallback; build up a lifestyle whose monthly expenditure requires said employment; gradually, imperceptibly forget about real endeavors in the name of shorter-term concerns; become some hideous institutional creature, like a blind fish that feeds whatever nutrients happen to float across the ocean floor.
In any event, some extra money would go a long way for him:
…I personally reside at the point on the curve where an extra few grand — or, say, a double sawbuck left in the ATM — can greatly widen the smile on my face. Maybe this is a bad sign for someone my age, but when I saw Sibilance link to a WSJ article about how a 22-year-old girl managed to make it in NYC on $30,000 a year, my reaction was not "Woah, how'd she swing that?" but a series of elaborate fantasies about all the things I could do with the impossible dream of $30,000. Hell, what couldn't I do? That's "thousand" with a T, people. (And yes, when I think about how Ira Glass famously made "only" $60,000 a year for a long time while working hard on the radio, my inner voice becomes Robin Leach's.)
Of course, Colin could (and should) learn more about how to monetize his talents. But beyond a basic increase in entrepreneurial savvy — which would not require selling out by the way — beyond that, it becomes difficult to do the kind of work that he does (esoteric film reviews, for example) without spending a huge amount of time trying to raise money or work dull side jobs.
If Colin could focus on his art and not worry about the cash bucks, the world would be a richer place. I realize there are a million other people who think of themselves as falling into this category. Many writers, for sure. I'm highlighting Colin because a) he's a friend, b) he's young, c) a small amount of money could go a long way for him.
Bottom Line: Someone should start a program that gives no-strings-attached grants to high potential individuals under 30 with extraordinary creative potential (yet little money), and a demonstrated ability to self-direct and self-manage. Person-driven philanthropy.